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Borges and The Name of the Rose

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Borges and The Name of the Rose By Erik Ketzan Of the great contemporary novelists, Pynchon, Rushdie, García Márquez, and so on, each considers the Argentine writer Jorge Luis Borges (1899-1986) a great influence. No exception is Umberto Eco, whose laudatory blurb on the recently published Collected Fictions of Borges reads, "Though so different in style, two writers have offered us an image for the next millennium: Joyce and Borges. The first designed with words what the second designed with ideas: the original, the one and only World Wide Web. The Real Thing. The rest will remain simply virtual." These are traditions Eco hopes to follow, as he stated in a 1989 interview, "I would like to do with ideas what Finnegans Wake does with words." The present study examines Borges' considerable influence on Eco's The Name of the Rose , specifically through "The Library of Babel," "The Secret Miracle," and "The Garden of Forking Path

The Name of the Nation, by Edgar Allan Poe

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It is a thousand pities that the puny witticisms of a few professional objectors should have power to prevent, even for a year, the adoption of a name for our country . At present we have, clearly, none. There should be no hesitation about “ Appalachia .” In the first place, it is distinctive. “America” is not, and can never be made so. We may legislate as much as we please, and assume for our country whatever name we think right—but to us it will be no name, to any purpose for which a name is needed, unless we can take it away from the regions which employ it at present. South America is “America,” and will insist upon remaining so . In the second place, “Appalachia” is indigenous, springing from one of the most magnificent and distinctive features of the country itself. Thirdly, in employing this word we do honor to the Aborigines, whom, hitherto, we have at all points unmercifully despoiled, assassinated and dishonored. Fourthly, the name is the suggestion of, perhaps, the most des